For a period of 50 years in the 19th century, Giuseppe Verdi dominated the world of Italian opera. His first great opera, Nabucco , made him a national figure when it was unveiled at La Scala in Milan in 1842. At the same venue in 1893, his final masterpiece, Falstaff , showed him still a force to be reckoned with when a group of composers two generations younger than himself was beginning to make its mark. From an international perspective, by this point Verdi represented not merely Italian 
opera, but virtually Italy itself.

Part of his dominance can be ascribed to good timing. When he composed his very first opera, Oberto , in 1839, Bellini was dead, Rossini had retired from operatic composition, and Donizetti , his eyes largely on Paris and Vienna, had less than a decade to live. Within Italy itself, lesser figures such as Saverio Mercadante and Giovanni Pacini maintained active careers. Verdi’s initial style was certainly less complex or learned than that of Mercadante; foreign critics, like the influential Henry Chorley in London, constantly referred to his music as crude and noisy – which, compared to the later works of Donizetti, it was.

But, even at this date, Verdi’s music possessed virtues that impressed and excited audiences. Part of the appeal of the early operas lies in their sheer immediacy. They make their points quickly, viscerally and with a sense of what works in the theatre.

For a period of 50 years in the 19th century, Giuseppe Verdi dominated the world of Italian opera. His first great opera, Nabucco , made him a national figure when it was unveiled at La Scala in Milan in 1842. At the same venue in 1893, his final masterpiece, Falstaff , showed him still a force to be reckoned with when a group of composers two generations younger than himself was beginning to make its mark. From an international perspective, by this point Verdi represented not merely Italian 
opera, but virtually Italy itself.

Part of his dominance can be ascribed to good timing. When he composed his very first opera, Oberto , in 1839, Bellini was dead, Rossini had retired from operatic composition, and Donizetti , his eyes largely on Paris and Vienna, had less than a decade to live. Within Italy itself, lesser figures such as Saverio Mercadante and Giovanni Pacini maintained active careers. Verdi’s initial style was certainly less complex or learned than that of Mercadante; foreign critics, like the influential Henry Chorley in London, constantly referred to his music as crude and noisy – which, compared to the later works of Donizetti, it was.

But, even at this date, Verdi’s music possessed virtues that impressed and excited audiences. Part of the appeal of the early operas lies in their sheer immediacy. They make their points quickly, viscerally and with a sense of what works in the theatre.

Besides his own performances, Verdi’s pedigree is also outstanding. Sire Quidam de Revel is one of the most influential sires of the past decades and the same goes for Verdi’s legendary grandsire Landgraf I. Verdi was bred out of the famous Holsteiner damline 747a, which also produced Calato, VDL Bubalu, Vingino and many more world-class showjumpers and stallions.

It does not come as a surprise that Verdi is developing into a true foundation sire himself. From his first crops of offspring, one after another jumps at Grand Prix level and although his oldest progeny is only 10 years old, over 80 offspring by Verdi jump at 1.40m level or higher! In addition, his sons Farmgraaf and First Verdi were approved by the KWPN and Verdi produced numerous champions at KWPN Mare Shows.

Kulsdom 9 | 7274 EG Geesteren NL
Tel. +31 (0)545 481 259 | Fax. +31 (0)545 481 271
USA Phone: 011 31545 481 259 | USA Fax: 011 3 545 481 259

Giuseppe Fortunino Francesco Verdi (Italian pronunciation: [dʒuˈzɛppe ˈverdi]; 10 October 1813 – 27 January 1901) was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture – such as "La donna è mobile" from Rigoletto, "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco, "Libiamo ne' lieti calici" (The Drinking Song) from La traviata and the "Grand March" from Aida.

For a period of 50 years in the 19th century, Giuseppe Verdi dominated the world of Italian opera. His first great opera, Nabucco , made him a national figure when it was unveiled at La Scala in Milan in 1842. At the same venue in 1893, his final masterpiece, Falstaff , showed him still a force to be reckoned with when a group of composers two generations younger than himself was beginning to make its mark. From an international perspective, by this point Verdi represented not merely Italian 
opera, but virtually Italy itself.

Part of his dominance can be ascribed to good timing. When he composed his very first opera, Oberto , in 1839, Bellini was dead, Rossini had retired from operatic composition, and Donizetti , his eyes largely on Paris and Vienna, had less than a decade to live. Within Italy itself, lesser figures such as Saverio Mercadante and Giovanni Pacini maintained active careers. Verdi’s initial style was certainly less complex or learned than that of Mercadante; foreign critics, like the influential Henry Chorley in London, constantly referred to his music as crude and noisy – which, compared to the later works of Donizetti, it was.

But, even at this date, Verdi’s music possessed virtues that impressed and excited audiences. Part of the appeal of the early operas lies in their sheer immediacy. They make their points quickly, viscerally and with a sense of what works in the theatre.

Besides his own performances, Verdi’s pedigree is also outstanding. Sire Quidam de Revel is one of the most influential sires of the past decades and the same goes for Verdi’s legendary grandsire Landgraf I. Verdi was bred out of the famous Holsteiner damline 747a, which also produced Calato, VDL Bubalu, Vingino and many more world-class showjumpers and stallions.

It does not come as a surprise that Verdi is developing into a true foundation sire himself. From his first crops of offspring, one after another jumps at Grand Prix level and although his oldest progeny is only 10 years old, over 80 offspring by Verdi jump at 1.40m level or higher! In addition, his sons Farmgraaf and First Verdi were approved by the KWPN and Verdi produced numerous champions at KWPN Mare Shows.

Kulsdom 9 | 7274 EG Geesteren NL
Tel. +31 (0)545 481 259 | Fax. +31 (0)545 481 271
USA Phone: 011 31545 481 259 | USA Fax: 011 3 545 481 259

Giuseppe Fortunino Francesco Verdi (Italian pronunciation: [dʒuˈzɛppe ˈverdi]; 10 October 1813 – 27 January 1901) was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture – such as "La donna è mobile" from Rigoletto, "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco, "Libiamo ne' lieti calici" (The Drinking Song) from La traviata and the "Grand March" from Aida.

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For a period of 50 years in the 19th century, Giuseppe Verdi dominated the world of Italian opera. His first great opera, Nabucco , made him a national figure when it was unveiled at La Scala in Milan in 1842. At the same venue in 1893, his final masterpiece, Falstaff , showed him still a force to be reckoned with when a group of composers two generations younger than himself was beginning to make its mark. From an international perspective, by this point Verdi represented not merely Italian 
opera, but virtually Italy itself.

Part of his dominance can be ascribed to good timing. When he composed his very first opera, Oberto , in 1839, Bellini was dead, Rossini had retired from operatic composition, and Donizetti , his eyes largely on Paris and Vienna, had less than a decade to live. Within Italy itself, lesser figures such as Saverio Mercadante and Giovanni Pacini maintained active careers. Verdi’s initial style was certainly less complex or learned than that of Mercadante; foreign critics, like the influential Henry Chorley in London, constantly referred to his music as crude and noisy – which, compared to the later works of Donizetti, it was.

But, even at this date, Verdi’s music possessed virtues that impressed and excited audiences. Part of the appeal of the early operas lies in their sheer immediacy. They make their points quickly, viscerally and with a sense of what works in the theatre.

Besides his own performances, Verdi’s pedigree is also outstanding. Sire Quidam de Revel is one of the most influential sires of the past decades and the same goes for Verdi’s legendary grandsire Landgraf I. Verdi was bred out of the famous Holsteiner damline 747a, which also produced Calato, VDL Bubalu, Vingino and many more world-class showjumpers and stallions.

It does not come as a surprise that Verdi is developing into a true foundation sire himself. From his first crops of offspring, one after another jumps at Grand Prix level and although his oldest progeny is only 10 years old, over 80 offspring by Verdi jump at 1.40m level or higher! In addition, his sons Farmgraaf and First Verdi were approved by the KWPN and Verdi produced numerous champions at KWPN Mare Shows.

Kulsdom 9 | 7274 EG Geesteren NL
Tel. +31 (0)545 481 259 | Fax. +31 (0)545 481 271
USA Phone: 011 31545 481 259 | USA Fax: 011 3 545 481 259

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