Virginia Woolf’s A Room of One’s Own is an important piece of literature when studying women and their writing. Woolf often wrote feminist pieces of literature, this one being “an important work of feminist literary criticism and a witty indictment of patriarchal restrictions on women’s creative agency “(Deshazer 14). Woolf’s focus in this essay is to explain to the audience, who are women attending a women’s college, the inequalities that women have experienced and the effect that it has had on their writing (or the lack of writing). She focuses on these barriers to elude that women need privacy and space in order to write, something that has been historically denied.

          Virginia Woolf repeats throughout the essay that women need a room of their own to write in. This practical phrase acknowledges the need for women to have a quiet space where there is a lot of time to think and reflect and with that time produce a viable piece of artwork free of fear and which embodies truth to oneself. This need has been taken from women in many forms. Women throughout history have been expected to work in the home, care for children, and instill morality in that family. She says

“literature is impoverished by the doors that have been shut upon women. Married against their will, kept in one room, and to one occupation, how could a dramatist give a full or interesting or truthful account of them” (57).

Käthe Kollwitz , née Schmidt ( German pronunciation: [kɛːtə kɔlvɪt͡s] ), (8 July 1867 – 22 April 1945) was a German artist, who worked with painting , printmaking (including etching , lithography and woodcuts ) and sculpture . Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. [1] [2] Despite the realism of her early works, her art is now more closely associated with Expressionism . [3] Kollwitz was the first woman elected to the Prussian Academy of Arts .

Kollwitz was born in Königsberg , Prussia, the fifth child in her family. Her father, Karl Schmidt, was a radical Social democrat who became a mason and house builder. Her mother, Katherina Schmidt, was the daughter of Julius Rupp , a Lutheran pastor who was expelled from the official Evangelical State Church and founded an independent congregation. Her education was greatly influenced by her grandfather's lessons in religion and socialism.

Recognizing her talent, Kollwitz's father arranged for her to begin lessons in drawing and copying plaster casts when she was twelve. [4] At sixteen she began making drawings of working people, the sailors and peasants she saw in her father's offices. Wishing to continue her studies at a time when no colleges or academies were open to young women, Kollwitz enrolled in an art school for women in Berlin . There she studied with Karl Stauffer-Bern , a friend of the artist Max Klinger . The etchings of Klinger, their technique and social concerns, were an inspiration to Kollwitz. [5]

Virginia Woolf’s A Room of One’s Own is an important piece of literature when studying women and their writing. Woolf often wrote feminist pieces of literature, this one being “an important work of feminist literary criticism and a witty indictment of patriarchal restrictions on women’s creative agency “(Deshazer 14). Woolf’s focus in this essay is to explain to the audience, who are women attending a women’s college, the inequalities that women have experienced and the effect that it has had on their writing (or the lack of writing). She focuses on these barriers to elude that women need privacy and space in order to write, something that has been historically denied.

          Virginia Woolf repeats throughout the essay that women need a room of their own to write in. This practical phrase acknowledges the need for women to have a quiet space where there is a lot of time to think and reflect and with that time produce a viable piece of artwork free of fear and which embodies truth to oneself. This need has been taken from women in many forms. Women throughout history have been expected to work in the home, care for children, and instill morality in that family. She says

“literature is impoverished by the doors that have been shut upon women. Married against their will, kept in one room, and to one occupation, how could a dramatist give a full or interesting or truthful account of them” (57).

Virginia Woolf’s A Room of One’s Own is an important piece of literature when studying women and their writing. Woolf often wrote feminist pieces of literature, this one being “an important work of feminist literary criticism and a witty indictment of patriarchal restrictions on women’s creative agency “(Deshazer 14). Woolf’s focus in this essay is to explain to the audience, who are women attending a women’s college, the inequalities that women have experienced and the effect that it has had on their writing (or the lack of writing). She focuses on these barriers to elude that women need privacy and space in order to write, something that has been historically denied.

          Virginia Woolf repeats throughout the essay that women need a room of their own to write in. This practical phrase acknowledges the need for women to have a quiet space where there is a lot of time to think and reflect and with that time produce a viable piece of artwork free of fear and which embodies truth to oneself. This need has been taken from women in many forms. Women throughout history have been expected to work in the home, care for children, and instill morality in that family. She says

“literature is impoverished by the doors that have been shut upon women. Married against their will, kept in one room, and to one occupation, how could a dramatist give a full or interesting or truthful account of them” (57).

Käthe Kollwitz , née Schmidt ( German pronunciation: [kɛːtə kɔlvɪt͡s] ), (8 July 1867 – 22 April 1945) was a German artist, who worked with painting , printmaking (including etching , lithography and woodcuts ) and sculpture . Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. [1] [2] Despite the realism of her early works, her art is now more closely associated with Expressionism . [3] Kollwitz was the first woman elected to the Prussian Academy of Arts .

Kollwitz was born in Königsberg , Prussia, the fifth child in her family. Her father, Karl Schmidt, was a radical Social democrat who became a mason and house builder. Her mother, Katherina Schmidt, was the daughter of Julius Rupp , a Lutheran pastor who was expelled from the official Evangelical State Church and founded an independent congregation. Her education was greatly influenced by her grandfather's lessons in religion and socialism.

Recognizing her talent, Kollwitz's father arranged for her to begin lessons in drawing and copying plaster casts when she was twelve. [4] At sixteen she began making drawings of working people, the sailors and peasants she saw in her father's offices. Wishing to continue her studies at a time when no colleges or academies were open to young women, Kollwitz enrolled in an art school for women in Berlin . There she studied with Karl Stauffer-Bern , a friend of the artist Max Klinger . The etchings of Klinger, their technique and social concerns, were an inspiration to Kollwitz. [5]

This is part of the series on Descriptive Adjectives and words for Creative Writing. A word a day will take too long a time.
You have to read the stories much faster for easier remembering.

To learn the ” meaning ” of an adjective or word from the story. Stories are known as fiction because they have fictitious characters.
An acerbic criticism of some imaginary
( gulling, gamey, clamant, exigent, blabbing, gabbling, palavering, crotchety, inveigling, cantankerous, blarneying, wheedling, chousing ) women.

Reading all the stories will teach you most useful, practical, adjectives for women. The verbs explain what women do in the stories.

Woman and Her Wits - Forgotten Books


Woman and her wits - Internet Archive

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